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	<title>Texas Real Estate Photography &#124; Austin &#38; Houston Photographers &#187; lights</title>
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		<title>Overcoming Lighting Challenges</title>
		<link>http://www.texasrealestatephotography.com/blog/overcoming-lighting-challenges/</link>
		<comments>http://www.texasrealestatephotography.com/blog/overcoming-lighting-challenges/#comments</comments>
		<pubDate>Fri, 26 Jun 2009 21:36:38 +0000</pubDate>
		<dc:creator>Carson</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[interior]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lights]]></category>
		<category><![CDATA[real estate photography]]></category>
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		<description><![CDATA[Having trouble with your lighting while shooting interiors and exteriors?  Here are a couple of videos that explain a few tips for light exposure, temperature, and shadow.
We often take advantage of dawn and dusk to capture our best architectural photos.  We commonly refer to this time as &#8220;golden hour&#8221;.  Other photographers do not use this [...]]]></description>
			<content:encoded><![CDATA[<p>Having trouble with your lighting while shooting interiors and exteriors?  Here are a couple of videos that explain a few tips for light exposure, temperature, and shadow.</p>
<p>We often take advantage of dawn and dusk to capture our best architectural photos.  We commonly refer to this time as &#8220;golden hour&#8221;.  Other photographers do not use this term.  Probably because it does not last for an hour, and often the sky produces a deep blue effect (not a golden).</p>
<p>Watch the video below:</p>
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<p>If you are interested in the higher-level lighting challenges with rooms and buildings, check out this <a href="http://www.sekonic.com/video/RobertReck.html" target="_blank">excellent video</a> interview with architectural photographer <a href="http://www.robertreck.com/" target="_blank">Robert Reck</a>.  Robert uses a temperature meter to measure each source of light in order to take the steps neccesary to balance out the final composition in post-production, whether it involves multiple exposures, adding light, blocking light or changing light.</p>
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